"I said, no, fuck this fuckin’ shit. When you guys wanna talk about some fuckin’ wrestling, come get me, I’ll be in my fuckin’ room."

— Jim Cornette, explaining my life (via tapemachinesarerolling)

"Last night just before 9pm, they sent us a warning over the phone that ‘We will bomb the hospital, so you need to evacuate. We insisted that we cannot leave the hospital. Our patients are, all of them, paralyzed, they’re unconscious. They’re unable to move, so we need to stay in this hospital…

But just few minutes after the call, shells start falling down on the hospital — the fourth floor, third floor, second floor. Smoke, fire, dust all over."

- Basman Alashi, executive director of Al-Wafa Hospital, the only rehabilitation hospital in Gaza and the West Bank. (via thepeoplesrecord)

jesus fucking christ

(via bewareofmpreg)

(via bewareofmpreg)

sarias-song:

humanity has become too strong we are evolving

jesus fucking christ I love being alive in the 2010s

sarias-song:

humanity has become too strong we are evolving

jesus fucking christ I love being alive in the 2010s

(via ruinedchildhood)

(Source: antichill, via yrbuddy)

cnnbreaking:

the dream

cnnbreaking:

the dream

(Source: thats-so-raven, via fadeintobolivian)

brianmichaelbendis:

Bill Sienkiewicz 1984: Dazzler #30-34, Marvel Graphic Novel #12 (Dazzler: The Movie) covers

(Source: comicartistevolution, via themarvelageofcomics)

(Source: luchalita)

fuckmaniknowbuthey:

still have only seen like three episodes of but I love this OP and ought to harangue disneyvsimaxtheaters into bringing his discs over next time we get stoned (so like, later today probably) 

INANE FOLLOW-UP: it took another day and I ended up going to his place instead but getting fried and watching Tylor did indeed happen

I’m kinda struggling to lock into a groove following the plot (maybe this is just a shaky, super baked impression but it feels like the tone and pacing of the early episodes kinda careen around a bit too much to make the plot even particularly possible to lick into a groove w/???) but I am absolutely OBSESSED w/ its visual sensibility; it’s one of those rare, perfect relics where it looks of its era but not necessarily “dated” and it has clean, instantly recognizable design work and dope effects animation (so many cool little lights) and aaaaaa

the music, tho, gives me hella mixed feelings; like it’s top shelf Kenji Kawai a good 80-ish% of the time and there’s a real variety to the scoring (broad slapstick cues, classic “THE GRANDEUR OF SPACE” orchestral moves, like a fucking billion vocal songs), but it is so fucking overbearing!!! it’s just constant and it smothers every conversation and robs every scene of atmosphere by trying to force an emotional tone rather than let the synthesis of sound and image develop one

(Source: bewareofmpreg)